Friday, March 11th, 2011
Photography by Jeremy Charles
Other Lives are set to release their highly anticipated album Tamer Animals on May 10th on TBD Records and are rehearsing every day for SXSW and their upcoming tour with S. Carey of Bon Iver. Be sure to catch them at their stop in San Francisco at Cafe Du Nord on May 25th! You can purchase tickets for that Bay Area show here. They answered some questions about the new album, the songwriting process, and they even shared some new lyrics.
Is there any specific reason for recording the new album in your hometown? Does being in your hometown for the past 14 months provide inspiration in a way that another place could not?
The first reason was time. This record took us over 16 months to write, produce and record and it was full time job. We did it a song at a time so we were constantly recording ideas to see what worked, because on this record it was the only way to know if it would work since it wasn’t a record that was written in a room with everyone playing together. Instead it was one thing at a time. I’m not sure how much 16 months in a studio would cost out west, but probably more than we’d be willing to pay. Also, we have a great studio space where we are very comfortable and a town that is very hospitable to creativity. We couldn’t imagine doing it any other way.
What are some of the major themes covered by the new material?
A common theme is the observation of the relationship between nature and people. Even geographical observations. For example, Dust Bowl III is one of 3 songs about the Dust Bowl (the other two didn’t make it on the record) that we did is and it fits with the observational theme of nature and people that is throughout the record. We’ve been really intrigued with the imagery of the Dust Bowl as well as the connection we have with the history being from Oklahoma.
In the bands opinion, what are some of the major differences between the self titled and this new record? Any new things/instruments that the band decided to record?
In this record we approached each song with the realization that just because we play a certain instrument doesn’t mean it belongs in the song. We explored a lot of new mediums, sometimes to the extent that we would practically write ourselves out of the song.
Are there any particular songs the band is extremely proud of, perhaps certain sections of songs (verse, chorus, bridge) that stand out?
Dark Horse is really important to us because it was the first song we used the new medium and approach on. Also, after we recorded the song was when we realized we could do this record ourselves. It was the first song we went at with our new mindset for this record, there’s no guitar, barely any piano, no bass guitar and once it was done we realized that there’s nothing in the way of us doing what we wanted to do.
Can you share with us some lyrics of a new song (besides For 12)?
Here’s the verse to Tamer Animals:
Solitary motion in the wake of an avalanche
Deer in the headlights, there goes a weaker one
I was listenin to Fascades, I don’t care enough to see the way
Do you hear the silence, I was far too late.
Joey Waronker (drummer from Beck) assisted with the self-titled debut. Has he assisted in the creation of the 2nd album? Are there any guest appearances from members of other bands on this album?
We approached Joey about a year into the record and showed him what we were up to. He really liked it and we made plans to have him come up and work on some percussion stuff and just hang out. Eventually during our collaboration we decided to mix it with him. Over the last few years we’ve become good friends with Joey and have always enjoyed working with him. He has a great ear and really knows what he’s doing.
What are some of the short term and long term plans for Other Lives surrounding the release of the new album in terms of tours, videos, singles, etc? Will Other Lives play support or headline soon?
Right now we’re rehearsing everyday to prepare for sxsw. After that we’ll start touring in May until who knows when.
After a great tour with The Decemberists and lots of positive feedback, it may have felt like new material or a new album had to be released soon. I’ve noticed you guys are taking your time. How important is it to not rush the artistic/music creation process?
We believe it’s extremely important not to be rushed in the creative process. That doesn’t mean you don’t have to work hard. This record was a full time job during the whole process and it still took as long as it did. We’re very happy with the record, and the fact stands that it wouldn’t have turned out the same if we hadn’t taken as long.
People that make great music are usually fans of other people that make great music. What albums is the band currently spinning? Any bands that are off the radar for blogs/media that we should know about?
Listening to a lot of Phillip Glass – “Glass Works”, Stravinsky – “Firebird”, Max Richter, Ravel, Brian Eno and The Ramones – “Self-Titled”.
In the Songwriters On Process interview with Jesse, he mentions reading A People’s History and sharing a lot of the political views as the author. I also noticed “Paper Cities” seems to be about the division that war can cause? What is “Paper Cities” really about? And can we expect some politically oriented songs on the new album?
We do have a lot of strong political views but we made a conscious effort not to be too outspoken on this record but instead be more observational. The purpose of this record is not to communicate an opinion but instead to convey what we want to hear in music.
Wednesday, January 5th, 2011
By Brittany Coleman
How many of us have friends that will dance in a music video for us? In the middle of the street? Outside? Where people can see them? Not many. But Canadian-born John O does. Singer and songwriter for his band Diamond Rings, John knows what it’s like to be in a constant state of creation. His eccentric style, blunt lyrics and funky beats are what can hold the attention of us eager music mongers. And with the help of his cousin Lisa and his close friends, John is able to create soul-stirring pop rhythms that give generous homage to the likes of early TLC, Run DMC, and Janet Jackson. After his show in San Francisco this past November to promote his Special Affections album, John took some time to answer a few of my questions.
How did you adopt your unique style? (and I’m talking about clothes, not so much music)
When I was little I used to put on plays with my cousin Lisa. I’m an only-child, so Lisa is like a sister to me. We would just go down in the basement and put on any type of clothes and act and perform. We would put on crazy outfits. It was all about theatricality. As we got older I just sort of kept the style that I had adopted when I was younger, taking colors, shapes and patterns that don’t necessarily go together but just “work.” I love the whole sport culture, 3-D art, hip hop style. Lisa is actually a makeup artist now, so she does the makeup for most of my videos and shows.
So what inspired you to start making music?
Well everything stems back to when I was younger. I had always played around on the guitar. Then eventually I just started writing. Then I started recording all my own music. I just try to do what feels and sounds right.
What was the inspiration for “All Yr Songs”?
That was one of the first songs I ever wrote. I was in the hospital being treated for Crohn’s Disease. It’s a really a personal poem of all the emotions and feelings I was going through at the time.
What was your inspiration for “Wait and See”?
Well, this song is really about my own personal struggles. I don’t have everything figured out yet. It’s important that I let everyone know that. Because it’s really a constant process of discovery for me. The video just happened to be set around Halloween. It was very simple to shoot. My friends and I are just dancing in the street around my apartment.
Who are your biggest influences?
Salt and Pepa, Janet Jackson, early TLC, Run DMC. And even Dennis Rodman.
Have you received any negative criticism for your style and music?
There’s definitely some stuff that rubs me the wrong way. But any music that isn’t getting some type of recognition isn’t doing its job. I’ve been really fortunate to have gotten a lot of positive responses though. I just try to be myself. And when people recognize that you’re sincere, then they understand.
How did you come up with your name?
Well one part of diamonds is the fact that they have glitz and glamour, which relates to the quality that diamonds possess. They are multifaceted depending on how you hold them. I share that similarity with diamonds, as I’m more than one person. There’s not just one side to me.
The second reason why I chose that name is because diamonds are incredibly strong and resilient. As an artist, I’ve got to embody that spirit a little. Having that edge and resilience to stand up for what you believe in is vital.
Follow Diamond Rings on Facebook, Twitter and Myspace for the latest news!
Wednesday, December 29th, 2010
Picture by Aaron Blumenshine
It’s always nice to catch up with a local band like Picture Atlantic. Check out Picture Atlantic for the latest news and listen to their latest EP, When Everything is Numbers on their Bandcamp!
What are some things the band enjoys about being from the Bay Area?
The Bay Area is a fun place. It has a lot to offer as a whole. Just being a beautiful and iconic place is enough for me.
What are some things that have inspired the band locally (local art, local music scene, etc.)
For me, its getting to play with friends. Feeling like you have the support of your peers is invaluable. Seeing other local acts do music they care about really stokes the fires.
What albums is the band currently listening to? What do you consider to be influential personally?
I’ve spent a great deal listening to Doves. Something about the last couple of months has made me buy lots of albums. I think I’m in Rasputin every other week. Strangely enough, The Dead Weather has been played a little bit on my ipod. I thought I would hate them, but I was seriously impressed.
From 2006 to 2011, what do you think has changed the most for the band? What are some of the major lessons learned?
So much has changed from the very start to now, that it would almost seem impossible, and maybe even irrelevant to try to figure out what has changed in every facet of the band. At the end of the day though, I always find that continuing to do what you feel is right, and what you love is the best thing you can do for yourself. Don’t get hung up or stalled by the people around you, just keep playing music that you love and take pride in.
What are some of the major themes covered in your newest EP, When Everything is Numbers? Where did the inspiration come to write this EP?
The main idea was really more of a personal one. Being in a band is incredibly hard on so many levels, and sometimes you fool yourself into thinking that if you can just find the right formula or equation, you’ll be successful. Whether that is promoting yourself “the right way” or whether its selling X amount of tickets for a show. It becomes about the numbers, and not the music. That concept plays itself out quite a bit in the EP. I had to stop myself and be reminded that I really can only worry about the music. The rest will fall into place, God willing.
So you guys have generally stuck to the west coast. Any plans for a US tour?
If a kindly old man with thousands of dollars decides to treat us to a huge check, then we’ll head out. Otherwise, for us as a band, there is truly no point in doing a full US tour at this point. The west coast has a lot to offer and we still have work to do here.
Picture by Anna Larina
What are your thoughts on being on a major label vs. staying independent?
Unfortunately, and I think the music industry has done a good job of keeping this low profile, in many cases there is really no difference between Major and Indie. Many Indie labels are run by Major labels, and the structure may be smaller and more quaint but the basic idea is there at the end of the day. As for staying independent in the sense that we are doing it all DIY, I think it just depends on what band you are, and where you are at. Some bands couldn’t manage themselves out of a wet paper bag, and they probably need the help of a label or management group. Some bands can do the DIY thing to great success. I’d say we’re a strange mixture of both.
What are some challenges that the band has had to face?
The band has faced many a challenge. Probably nothing new under the son honestly. Most bands have to deal with the same handful of problems. Staying mentally up, and having morale is always a struggle. No matter what may be going on around you , in terms of positives, your mental landscape paints the physical one.
Do you have a Picture Atlantic song that you are extremely proud of, perhaps one that stands out from the rest?
There are a handful. To choose one, I’d have to say Cassandra Castaway/Clytaemnestra. The lyrics really flow well, and I think they are evocative and paint a good picture. I’m not even sure how I wrote that song to be honest. It really felt like the music and lyrics were beamed to me. Something about an experience like that is special to me.
What are some of the immediate plans for the band, be it CD release shows, video releases, new music, etc etc?
We have a lot going on. We’re really just waiting for the Holidays to end and the new year to warm up. We’ve just released our EP and we’ll be touring on that. At the same time, we’re currently in production of three music videos, which blows my mind if I think about it. Almost every song on the new EP will have a music video. Insanity. We’re also working on another full length album too, and the demos and studio sessions are already sounding really promising. Our blog might not be red hot with gossip, but we’re certainly at a lack for free time.
Friday, September 24th, 2010
Photo by Ariana Perez
By Brittany Coleman
The Limousines, led by singer/songwriter Eric Victorino and instrumental genius Giovanni Giusti have taken the electro-pop scene by storm. True Bay Area natives, Eric Victorino was born and raised in Campbell, CA., and Gio Giusti was raised in Livermore, CA. Originally a part of the alternative rock band Strata (formed in 2001), Victorino decided to go in a different direction with his music. After connecting with Giusti and test-driving their pop artistic endeavors, the fire and passion of The Limousines was thence born. After a busy week in New York, Eric took a few minutes to tell me more about the band..
Did your parents ever wish you to be a doctor or lawyer, something else rather than a musician?
“My mom never cared what I did or what I wanted to be when I grew up, as long as I was happy. We were dirt poor and I wasn’t a great student, so college was never an option.”
I see, so when did you begin writing songs?
“I wrote my first lyrics when I was 15 – I wasn’t in a band yet but I had a poem with a melody in mind.”
Wow that’s amazing, so what influenced you to start writing?
“I don’t know, but I’ve been writing since I could remember, I won writing contests in elementary school. I’ve always seen the value in expressing ideas on paper.”
And do you play any instruments as well, or is that strictly Gio’s department?
“I have been playing guitar since I was a kid but I’ve never progressed past a certain really low level. I play just well enough to use the guitar to help come up with melodies and lines, but Gio handles almost everything on the music end of Limos.”
Gotcha. So you used to be in Strata yeh? What made you create the Limousines?
“I spent the last half of my time with those guys drifting away from that style of music, it wouldn’t have been easy or fair to try and get them to make the kind of music I wanted to make, so the best thing for all of us was for me to split. I hear they’re doing really well without me, so that’s great.”
How did you meet Gio? And then decide you could work so well together?
“Our collaboration came from a mutual respect for each other’s music – friendship came afterwards.”
So how is your creative process? Do you guys fight like siblings, or is it pretty smooth sailing?
“Haha, no – we wouldn’t be doing this if the creative process wasn’t fun. We bounce ideas around but we both respect each other too much to get into fights about music. It’s always easy in the studio because the heavy lifting is already done by the time we put our two halves together. I think we’re both really tough on ourselves and we like to build ideas in private, then when our ideas are ready we squish them together.”
Very cool, so who are you biggest musical influences?
“Mine have always been songwriters with a story to tell. Classic stuff like Leonard Cohen and John Lennon, Dylan, Cat Stevens, but new stuff too – Girls, Bright Eyes, Cursive… I sort of feel drawn to singers who say more. We both listen to a lot of remixes and instrumental s**t too though.”
From your own original music, which is your favorite song, and why?
“My favorite song is The Future… because it’s true.”
Have you had any challenges as a band?
“Nope. Everything has been effortless and smooth from day one to this very minute.
Kidding.
Of course we have, but all of our challenges have been related to industry scumbags trying to make money off of us when we don’t even make any money.”
So true..so where do you see your band in 5 years?
“I don’t think ahead. Probably my biggest flaw.”
Well what do you want your music to accomplish?
“Of course I want it to make me say ‘F**k you money,’ so I never have to do anything I don’t wanna do ever again. But that’s pretty childish isn’t it? Not to mention unrealistic – the only thing that’s really under our control is whether we are proud of the music we make…”
Beautiful – ok any last words?
“Relax, this won’t hurt…” – Hunter S. Thompson
You can find The Limousines on the following sites:
Myspace http://www.myspace.com/thelimousines
Twitter http://twitter.com/TheLimousines
FB Group http://www.facebook.com/group.php?gid=53711211632&ref=ts
Friday, September 24th, 2010
We had the chance to catch up with Ashley Ellyllon of Orbs recently and she talks about their imaginative song titles, plans for the future and some of her favorite artists.
By Ruben Tamayo
How did everyone meet?
Dan was the only one that I knew, which was through an email I had sent to Between The Buried and Me about session work. Dan knew Adam and Goose from a previous tour that BTBAM had done with Fear Before. They all became good friends on the tour and wanted to work together on ORBS.
How did ORBS start?
ORBS started when I sent that email to Between The Buried and Me offering session work for keys. They weren’t looking for anyone, but Dan listened to my work and said that he would like to start something new with me, and it took off full blast from there!!
What’s the origin of the band name? Have you changed the band’s name before?
Naming ORBS was a very easy and natural process. There is a moment in the first song on the album, “Sayer of the Law”, where everything cuts out and the piano goes into this dreamy interlude. We always said this part sounded like an orb floating through outer space. This vision continued and elaborated, until we just started calling the project ORBS.
Who writes your songs?
Dan and I wrote all the music and then Adam added his vocals. Next album though we want everyone to be involved!
What are the main themes or topics for most of your songs? Do you think these topics will change over time?
Adam writes about space, nature, the animal kingdom, and how humans are destructive too all of these things. He is incredibly creative, so I’m sure he will continue to write about new topics!
How long did the band work on the album?
It took only about three months to complete all of the music, and then Adam sporadically would write all the vocals up until we were in the studio.
How did you guys come up with such awesome track names?
The track names are all the result of our front man Adam, who has the wildest imagination of anyone I have ever known.
How long have you all been playing? Self-taught?
I have been playing since I was six years old, and I think the rest of the guys probably started around 10 or 12 years old. Music has been a huge part of our lives since childhood.
What instruments does everybody use?
Not sure what all the other guys use, but I use a Roland Juno D, and Nord lead, the Yamaha S90, and Trillion and Omnisphere samples.
What are some challenges you may face playing at a new venue and not knowing what the sound will be like?
This tour we just completed was with mostly smaller venues, which is nice to have a more intimate experience with the audience but can be tricky with sound. The hardest thing is for Adam and myself, who have to rely on monitors on stage to hear the vocals and keyboards. If there are no monitors or weak monitors, or if the person doing sound is not turning up your monitors loud enough, I could go through a whole show without hearing a single note I play. Most of the times it’s fine, but even when it isrough – you still have to rock!
What has been your biggest challenge as a band? Have you been able to overcome that challenge? If so, how?
Having to work around all of our schedules can be challenging. We have three other bands that tour regularly, so sometimes it is hard to find that open window. Patience is key.
What’s the ultimate direction for the band?
We just want to continue to challenge ourselves creatively, make records and play them for the world. This is a regular band, not a side project!
Do you all plan to make more albums as ORBS?
Yes, see above!
Which famous musicians do you admire?
Muse, Cave In, Blonde Redhead, Radiohead, Sigur Ros are my favorites.
What does music mean to each of you?
Aside from our loved ones, music is the most important thing to us. It is our passion, and having that creative outlet is a necessity. I can’t really imagine life without it.
Any last words?
I hope that everyone can get lost in the record and find inspiration in our spacey world!
